I am the child of screenwriters who lived through the Hollywood Blacklist. They were never, so far as they knew, blacklisted. There were times when they just didn’t get work. It might have been the usual inconvenience of a freelance career. It might have been something else. Maybe someone had mentioned them, maybe their names were similar to someone’s, maybe anything. Then they got work again, and didn’t ask, because you couldn’t ask.
Are You Now or Have You Ever Been? is set in that world, although its characters are fictional. The four nonfiction books listed here are my favorites of those I read during my research.
As the child of screenwriters, Naming Names felt personal to me.
It was probably the first serious attempt at a comprehensive account of the Hollywood Blacklist, the product of the Red Scare driven by the House Un-American Activities Committee and Sen. Joseph McCarthy that shattered careers and lives.
It examines not only the politics of the hunt for communists in the arts but the lives of the real people affected and the fear generated when colleagues and neighbors were pressured to turn on each other in their testimony.
Winner of the National Book Award: The definitive history of Joe McCarthy, the Hollywood blacklist, and HUAC explores the events behind the hit film Trumbo.
Drawing on interviews with over one hundred and fifty people who were called to testify before the House Un-American Activities Committee—including Elia Kazan, Ring Lardner Jr., and Arthur Miller—award-winning author Victor S. Navasky reveals how and why the blacklists were so effective and delves into the tragic and far-reaching consequences of Joseph McCarthy’s witch hunts. A compassionate, insightful, and even-handed examination of one of our country’s darkest hours, Naming Names is at once a morality…
I loved this book for the personal stories behind the political nightmare.
Radical Hollywood is about the people who, by their politics, caught the communist-hunters’ eye. It is a fascinating, detailed, often affectionate account of the Hollywood Left in film-making’s Golden Age—the behind-the-scenes stories of famous films, writers, and actors, and their impact on the most popular entertainment medium of the time.
Radical Hollywood is the first comprehensive history of the Hollywood Left. From the dawn of sound movies to the early 1950s, Paul Buhle and Dave Wagner trace the political and personal lives of the screenwriters, actors, directors, and producers on the Left and the often decisive impact of their work upon American film's Golden Age.
Full of rich anecdotes, biographical detail, and explorations of movies well known, unjustly forgotten, and delightfully bizarre, the book is "an intelligent, well argued and absorbing examination of how politics and art can make startling and often strange bedfellows" (Publishers Weekly). Featuring an insert of…
I loved this novel for its heroine and for its pitch-perfect recreation of the 1950s, combining Fanny’s blossoming career as a writer of radio serials with the looming danger of the McCarthy-era blacklist.
The author is a child of that time, and her memory is spot-on, from seams in women’s stockings to the cloud of suspicion that gathered around a writer who went to the wrong meeting or subscribed to the wrong magazine, much less flirted with Communism twenty years earlier or even knew someone who had.
Defending oneself against it was impossible. A blacklisted writer or actor simply disappeared. I found echoes of current politics in both the blacklist and the post-war urge to shove women back into the kitchen and nursery.
"Rich in colorful characters, Feldman's riveting tale is one of resilience, determination, and hope." ―Booklist
In an exuberant post WWII New York City, a young woman is forced to reinvent her life and choose between the safe and the ethical, and the men who represent each...
Set in New York City in the heady aftermath of World War II when the men were coming home, the women were exhaling in relief, and everyone was having babies, The Trouble With You is the story of a young woman whose rosy future is upended in a single instant. Raised never to step…
Oral histories and first-hand accounts bring a past era alive for me in a way that even the best historical narrative can’t.
This book contains the voices of thirty-six victims of the Hollywood Blacklist, including two of the famous/notorious Hollywood Ten, who went to jail for refusing to discuss their personal politics or name their friends before the House Un-American Activities Committee.
We hear from directors, stars, less famous actors, and screenwriters like those jailed by HUAC. We watch their lives unravel, their careers dissolve. Some go to Europe to work, some stick it out in the US, writing anonymously, denied screen credit and decent pay, and some migrate to academia. All provide a chilling account of government persecution for political belief.
This text offers an account of the McCarthy era in Hollywood. Using oral history techniques, the authors involve 30 of those who were suppressed and unable to talk at the time, owing to the prevailing anti-Communist witch-hunt.
I always like books that trace the origins of a political movement, because they almost always go farther back than we think.
This one follows the suppression of radical activity in Hollywood from the beginning of the Great Depression of the 1930s, a time that also saw the founding of the Writers’ Guild, a union that gave writers some actual power in an industry that ran on power and often regarded writers as disposable. But even the Writers Guild couldn’t defend those accused of communist sympathies by their government.
It is significant in our current era that no Hollywood Communist, even the real ones, was ever linked to espionage or sabotage, and that evidence of the supposed subversive indoctrination planted in films was nonexistent.
The history of political struggle in Hollywood back to the formation of the Screen Writers Guild in 1933 with the culmination of the blacklists of the House Un-American Activites Commmitee. The definitive work on the blacklist ear.
Elizabeth Sydney’s film career spanned the Golden Age of Hollywood and barely survived the hunt for communists, driven by Sen. Joseph McCarthy and the House Un-American Activities Committee, that produced a blacklist that shattered careers.
Now she wants to be buried in her backyard, and the will is invalid if she doesn’t get her way. A combustible assortment of industry friends, family, former lovers, charitable beneficiaries, and an ungovernable horde of media descend on the small California town where she retired and picked out a spot in her oak grove. As they try to break the will, her reasons begin to surface in the story of an old betrayal of friends by friends and by the country’s own government.
